Amongst our exciting roster at this year’s Brum Spirit 2016, we’ve got Hi-Lites contemporary arts programme. Curated by Darryl Georgiou, the art-works will showcase experimental and collaborative work by some of the finest emerging artists. Intrigued? Check out our Q&A’s with Darryl to get a taste of what to expect…
How did you begin as an artist?
When I was 7, I painted a picture of a boy at Wattville Junior School, in Handsworth, Birmingham. I attempted to make the boy’s eyes blue, but I ended up making the paint too runny, which prompted the teacher to ask me why the paint was running down the page…I told her it was because the boy was crying. That work ended up in a show of childrens’ art at Tate Britain. It taught me that in the arts at least, mistakes can be a positive thing.
What is the concept behind Hi-Lite Arts?
Hi-Lite is just one, but an important part, of an ongoing project called The Salon, that I’ve been developing with a number of well known and emerging artists, designers & creatives, along with filmmakers and performers, some of whom include my postgraduate Contemporary Arts students from Coventry University.
What are the aims of the visual art-works at the event?
To re-animate and recapture the spirit of a fascinating space and place – the old Moseley Art School, which ceased to be seat of creative learning in 1975. Using contemporary arts, interventions and performances which are unconventional and non-traditional, we hope to evoke the spirit of a building, which previously bore witness to so many creative outpourings over several decades of the 20th Century.
What can the audience expect to see from these art-works at Brum Spirit?
We want the audience to be entertained and surprised, but perhaps more importantly, it’s about having a conversation with the public.
What do the different elements of visual, phonic and performative art bring to the programme?
There are three primary themes or departure points for the exhibition: Redamency ((n.) the act of loving the one who loves you; a love returned in full), Confrontation and Environment, which hopefully provide a kind of social sculpture.
What was it like to collaborate with the group artists on this project?
Like all projects of ambition or worth, it was a challenge and a privilege.
How does this exhibition tie in with Brum Spirit’s theme of We’re In This Together?
It’s simple… It’s a collaboration that involves music, film and art to engage a wide and diverse audience. Ultimately, it presents us with the opportunity to positively share a complex space in a time of increasing challenge and change in the world.
What do you hope the audience will take from the exhibition at Brum Spirit?
For me and my creative partner (Tolley), Brum Spirit is a celebration. A glimpse into the epic and the everyday.
Where can we find more about your work?
Darryl Georgiou is an award winning artist whose work is held in international collections, including the Victoria & Albert Museum and the Deste Foundation in New York and Athens. He is the postgraduate programme leader for Art & Design at Coventry University and a Director of arts and photography organisations, ‘Still Walking’ and ‘Some cities’. He was artist in residence at the ‘Ars Electronica’ Futurelab in Linz, Austria in 2014. He is currently a recipient of a Henry Moore foundation research award for the forthcoming ‘Liber Topia’ project. He has an interdisciplinary production company with his partner – film maker and lens based media artist, Rebekah Tolley.
In 2010, Rebekah Tolley set up Tarian Films in creative collaboration with award-winning director, Michael Grigsby (1936-2013), widely regarded as “one of the giants of British documentary filmmaking.” (BFI, Sight & Sound, 2013). Their final collaboration was the critically acclaimed feature documentary WE WENT TO WAR (2013) which was nominated for the Sheffield Doc/Fest’s prestigious Innovation Award (“for originality in approach to form and radical manifestations in the delivery of its story”), and followed up with screenings including the Museum of Modern Art (MoMA) in New York, Cinequest Festival in California, and Cleveland International Film Festival; opening to critical acclaim at the ICA in London, and a UK TV premiere on Film4. Also a professional photographer whose work has been featured in The Guardian, Observer Magazine and Photography magazine amongst others, Rebekah has been a jury member for a number of national and International Film Festival juries. Prior to embarking upon her career as an independent Creative Producer, Rebekah was Executive Producer/Director for Welsh international media producer, The Tinopolis Group, where she lead interactive projects for the likes of the BBC, United Nations and Channel 4. As an independent producer, she has worked on projects for BAFTA UK, BAFTA LA (inc. the Los Angeles Heritage Archive Project), Five TV and Oxford University
Most recently, she was Creative Producer for the documentary feature, OKHWAN (2016) https:/