Hoakser: the Man behind the Murals

An incredibly talented and well-respected graff artist here in Brum and across the globe, Hoakser is just one of the guys behind this year’s “We’re In This Together” River Rea mural, so we sat down and asked him a few questions to find out a little bit more about the man behind the mural…

 

How did you get into graffiti art?

 

BrumSpirit - WITT-9
I’d always wanted to be some sort of artist as a kid and would always be drawing characters of my favorite stuff or making up monsters, zombies and robots..Sometime around 98,I went with some friends to check out a place called “Selly Oak graffiti park” and had my mind blown by something I’d never seen before and didn’t understand…Everywhere was covered in paintings and writing, there were cool characters on the walls and color everywhere..The main pieces I remember where by a crew called FKS..T-Bone,Korsa,Zooki,Crem, were some of the names that stood out to me that day and I knew I wanted to try spraying some of my characters on a wall.. From that point  I started seeing it everywhere and the more I practiced and studied it, the more my respect for the art form and culture grew..

 

Why did you choose graffiti art as opposed to any other medium?

 

There’s so many branches to graffiti and there’s so much to learn about it..From tagging to mural work, all of which is classed as graffiti, there’s a whole load of learning and  years of practice involved to be able to control the paint and create your own style to build your name.. The history of graffiti is a cool story full of myths and legends and as an art form developed by youngsters, mostly in the dark, it’s come a long way.. Every country and city around the world have their own scene,style, history and way of doing things so it’s always developing and inspiring new artists and techniques. When I first started I think it was how hard I found it, which pushed me to want to get better at it..Meeting other graffiti writers and going painting with them has made me some really good friends over the years.It’s kind of a social and anti social culture, where most graffiti is painted for other people who do graffiti to love or hate and can have a life span of minutes or years depending where or what it is..  Graffiti incorporates so many skills from tagging (which is like a form of calligraphy), to painting huge letter pieces (which is a kind of typography)..painting and designing characters takes some cartoon/illustrator skills and spraying paint is such a fun way to practice them all..

 

What inspires your art?

 

Most things really.. From everything I was into as a kid to the amount of paint, space and time I’ve got to work with. I get inspired by loads of artists who make me want to try new stuff out in my own way..My graffiti letters and characters have been developed over the years and their technical difficulty increases as my skills with a can improve. I used to like painting models and sculpting when I was younger, so after seeing a few graffiti artists from overseas design toys several years ago, I wanted to see my character as an object you can hold..So I did that.. I’ll always be into spraying my name on a wall but the idea of my work being displayed in collections and looked after, rather than painted over is pretty cool.. Canvas work and sculpts are approached differently to walls, but all of them kind of inspire each other in a way..

 

Do you prefer to work on big public art murals, like the River Rea mural, or on smaller canvases and private commissions? Why?

hoakser2

I think I like them both the same but for different reasons.. Public murals are usually hard work but fun to paint, and it’s interesting hearing what people think before it’s even been finished.This can sometimes spark new ideas and help with the mural…It’s nice to have their support and encouraging words shouted at you from passing cars but it can take much longer to paint as you have to keep explaining your not a famous stencil artist and you did this all free hand.. Painting on the River was great and everyone was really supportive of what we were doing..Leaving such a big piece of artwork out in public is so different to working on a piece that will hang in one persons house..The fact that someone is willing to spend their hard earned money and invite a piece of my work into their home is really cool, but on a different level..

 

What was it like to collaborate with Ashekman and Zooki on the River Rea mural?
It was interesting and nice, and the wall came out really cool I think.. Having Zooki as one of my earliest inspirations in our graffiti scene makes it a pleasure to paint with him.. Over the years we’ve painted together a few times on walls at graffiti jams, so it was cool to get him involved with this mural, as he grew up around the area.His character designs and painting skills are amazing and it’s always an honor to paint with him.. Ashekman really came through and after having no sleep on day one, due to travelling, they still got busy and left us with a really cool piece in their calligraphy style..It was cool spending some time with them and hearing about what the scene in Beirut is like. It’s a shame they couldn’t stay for longer but hopefully one day we’ll get another wall done together..It was really nice to meet those guys and paint, and I think what they put up really fits in well with the message of the mural..

 

How does the mural tie in with the central messages of Brum Spirit?

 

As one passer by said while we were working on the piece “We’re in this together For peace on Earth is so fitting for the state of the world right now”.. That probably says it all.. It was cool to see some of the local kids who can read Arabic working out what Ashekman’s piece said and as a collaborative cultural exchange it came out really well.. It can be difficult coming up with a wall concept and designing it into something we can all work on while keeping the public,council and everyone else happy..Especially when you’ve never met the people you’ll be painting with. But as always, Tessa’s hard work and theme choice made it all click together and we managed to paint something that’s had nothing but positive comments…

 

What other community projects and public art murals have you worked on?

 

welcome to kings heath mural
There’s the Welcome To Kings Heath wall that we worked on 3 years ago for BrumSpirit with Ficore from Brazil.Then the year after I was lucky enough to be able to paint the front of PST nightclub in Digbeth with RCF1 from France for Brum Spirit.. In Acocks Green at Millennium Green there’s a long wall I was asked to paint around a nature reserve/dog walking area..It’s a quite a long wall and fun to paint because it has all four seasons, goes from day to night and includes almost every animal you might see there. Another favourite from last year is a school I painted in Selly Oak.. It’s not really public as it’s a school, but the 40ish walls I painted around the outside of every Porta-cabin classroom around the grounds,definitely brightened the place up..They were a depressing grey before, and now they have lots of color and helpful learning phrases with positive words etc suited to each lesson and classroom..I can imagine that would have a huge impact on any child, especially one with learning disabilities and it’s cool to think how lots of kids over the years might remember something, because they saw it on a painting every day..

 

What do you hope people will take from your work, particularly your public art murals?

 

It’s nice to be able to change peoples perceptions about what they might have thought graffiti was or can be, before seeing something they can relate to and understand..I hope it inspires some people to try and become artists and it’s a weird feeling when you’re on a bus going past something you did and you hear a kid say “coool” and start pointing at it..They all kind of serve a different purpose and it’d be nice if they appeal to people if different ways..
What does this year’s Brum Spirit’s theme, “We’re In This Together”, mean to you as an artist?

 

As a theme for a wall it had so much scope to where we could have taken it. As I said in another answer, a passer by commented on how fitting it was for the state of the world, I think we started painting this a few days after all that Brexit madness..As someone who lives in the area we painted the wall, which has lots of nationalities and religions living side by side, it’s nice to leave a positive piece up for everyone to take something from which will always mean something, depending on how you decide to read it..

 

Where can we find out more about your work?

 

My website hoakser.com which I build myself has all the important links and info on… I use Instagram @hoakser  and occasionally twitter @hoaksergraffiti .. and i have a facebook page https://www.facebook.com/hoaksercom-214180528665043/?ref=bookmarks  which you should like to catch up with me on there 🙂

 

You can check out more pictures of the “We’re In This Together” River Rea by Hoakser, Ashekman and Zooki here.